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Toward a Theory of Photographic Debris Based on the Idea of Error

dc.contributor.authorBallester Añón, Rafael
dc.date.accessioned2019-12-23T09:04:42Z
dc.date.available2019-12-23T09:04:42Z
dc.date.issued2017-11
dc.identifier.issn1889-1128
dc.identifier.urihttp://hdl.handle.net/20.500.12466/478
dc.description.abstractA partir de las teorías de Pierre Bourdieu sobre el uso social de la fotografía, nos proponemos cartografiar lo que denominamos “escombros fotográficos”, es decir, el material eliminado o excluido, tanto por los fotógrafos profesionales y “devotos” (en nomenclatura de Bourdieu) como por las prácticas familiares, turísticas, amorosas…Con este cambio de enfoque interpretativo postulamos la idea de que la lógica fotográfica conduce ―paradójicamente― a una prelativa y asilvestrada proliferación de lo invisible.es
dc.description.abstractWith Pierre Bourdieu’s theories on the social use of photography as a starting- point, I propose to map what I would call “photographic debris”, that is, the material eliminated or excluded by both professional photographers and (in Bordieu’s term) “devotees” in all manner of practices. The aim of this change in interpretative focus is to postulate that photographic logic ―paradoxically― leads to a preferential and teeming proliferation of the invisible.en
dc.language.isospaes
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titlePara una Teoría del Escombro Fotográfico desde la Idea del Errores
dc.titleToward a Theory of Photographic Debris Based on the Idea of Erroren
dc.typearticlees
dc.description.disciplineHumanidadeses
dc.issue.number11es
dc.journal.titleLiburnaes
dc.page.initial15es
dc.page.final26es
dc.rights.accessRightsopenAccesses
dc.subject.keywordFotografíaes
dc.subject.keywordPhotographyen
dc.subject.unesco6203.08 Fotografíaes


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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